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Gravity Has No Right To Define Up And Down

by Eardrops

about

CD Album

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to listen and to purchase the album, please go to:
audiophob.bandcamp.com/album/gravity-has-no-right-to-define-up-and-down

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1. AUX Minor 10:22
2. Finding Form 05:35
3. The Space Between 10:54
4. Bavarian Seas 06:09
5. Lustbrot 06:18

Eardrops started on a sunny sunday evening in Augsburg with Claus Poulsen (Blind Man's Band / solo) and Sascha Stadlmeier (EMERGE / Bu.d.d.A.) improvising together, using zither, violin, electronics and field recordings. They concentrate on melodic and minimal soundscapes that classify as ambient, but with a droney, experimental edge, setting eardrops apart from the members' other musical projects.

Eardrops builds images for the inner mind, taking the listener away from daily life into unknown territories. Although the music has a peaceful atmosphere at first glance, delicate layers in the deep evoke feelings of something dark and unsettling.

credits

released December 17, 2023

VITAL WEEKLY

You probably never heard of Eardrops before; I didn't either. I do know the two musicians behind the name very well. From Denmark, we have Claus Poulsen, who I know from a string of collaborations and solo work. From Germany, we have Sascha Stadlmeier, best known as EMERGE, but also from his ongoing duo with Chris Sigdell as Bu.d.d.A and many other collaborations. I think they mean serious business by taking on a proper band name. One evening exactly to this day one year ago, they sat together. Poulsen with his zither, pedals, dictaphone, SK-1 (an ancient sampling device from Casio) and Stadlmeier with a violin, effects, field recordings, and manipulations. This disc, however, doesn't contain the pure improvisations from that day, but in the following months, the music was expanded and edited. What struck me was the gentle tone of these five pieces. You could say this is ambient music, but it also contains enough elements to say this is improvisation and experimental music. Especially the two instruments here, the zither and violin, are plucked and bowed freely, with the sound drifting off through a line of delay pedals. But effects and field recordings brew more drifting sound textures with other electronics. I could almost believe there is a synthesizer or two at work here, but just as well, these might be circling loops from pedals, picking up sound, pumping them around. The music is slow and spacious but with a soft edge of noise never too far away, which prevents the listener from taking it all too easily. That is the kind of ambient I like, one that isn't connected to the world of all things lo-fi but an exciting diversification of its own.

vitalweekly.net/1386.html

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about

EMERGE Augsburg, Germany

EMERGE is inspired by the minimalist traditions of experimentalism and non-academic noise music, focusing on generating sound structures intended to make atmospheres emerge that are open to each listener’s own interpretation.
The choice of sound sources used is usually very limited. In most cases only rudiments of the original sounds are recognizable due to various treatments.
... more

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